Can scenarios of perception be created with the pinhole camera that were not anticipated by nature?
- Hans Knuchel, Camera Obscura, 1992
Photo Info:
“Eiffel Tower, Paris”
Photo By: Ilan Wolff
More Info:
Pinhole Photography: From Historic Technique to Digital Application
by: Eric Renner
Reality moves so fast that everything is either an expectation or a memory…We experience many fragmented and concurrent images and perceptions which flow together instantly, creating a picture and a feeling of a scene. It is this flow of images and this sense of time that I want in my work.
-David Lebe
Photo Info:
“P.P. 123 BB and Me, April 1974”
Photo By: David Lebe
Excerpt from:
David Leve, “Artist’s Statements,” in The Visionary Pinhole, ed. Lauren Smith (Layton, UT: Peregrine Smith Books, 1985), p.76
More Info:
Pinhole Photography: From Historic Technique to Digital Application
by: Eric Renner
INTERIOR / EXTERIOR is a project which started in 1996. By using a special of camera obscura technique I can capture into the same image with one long exposure both person, room and the reflection of external landscape. First I just have to transform the room into camera obscura and then photograph there by using normal lens camera and long exposures.
-Marja Pirilä
Photo Info:
Paula’s Room
Oulu, Finland
1996
Photo By: Marja Pirilä
Seeing light is a metaphor for seeing the invisible in the visible, for detecting the fragile imaginal garment that holds our planet and all existence together. Once we have learned to see the light, surely everything else will follow.
-Arthur Zajonc, Catching the Light, Oxford University Press
Photo Info:
“Exodus”
Photo By: Georgia Krawiec
HP.2012.15.496
Excerpt from:
Pinhole Photography: From Historic Technique to Digital Application
by: Eric Renner
Because it is red, this pepper simulated a small darkroom as a natural safelight for black and white photographic paper. The darkest red pepper worked best.
-Eric Renner
Photo Info:
“Red Pepper Pinhole Camera”
Photo By: Eric Renner
More Info:
Pinhole Photography: From Historic Technique to Digital Application
by: Eric Renner